Shaping of the Sri Yantra

© 2012 Aspen Moon

There are a lot of technical challenges around creating a perfect Sri Yantra form.  Just getting Nine triangles to line up tip to end is a challenge in and of itself, but then add the problem of creating a maximum number of possible intersections (which is 43 in case you hadn’t figured that out yet…) where no two triangles touch side to side (tips together or tip to side only) and that no more than three triangles can touch at any particular tip…   You’re starting to get the idea.

Solving the Sri Yantra, by the Sri Yantra Research Center has an excellent in depth explanation of the Sri Yantra symbol.  Along with dealing with the complexity of lining up 9 triangles, the article also outlines that there are three key factors that all must be met concurrently in order to create an accurate representation.  And this is no easy task to do with a pencil, compass, and straight edge.  The three key factors are,

  1. Concurrency: All the triple intersection meet at the same point rather than crisscrossing.
  2. Concentricity: The bindu point, which the small point located in the central triangle, should be located in the center of the innermost triangle. This can be measured precisely by placing the bindu at the center of a circle that fits inside this triangle. This is known in mathematics as the incenter of a triangle.
  3. Equilateral Inner Triangle: The central triangle is the central lens of the Sri Yantra and therefore, is optimally an equilateral (i.e. 60 degree) downward pointing triangle.

Three Dimensions of Sri Yantra

Now try taking the same requirements and translating that into a 3-dimensional form. But the Sri Yantra is a three dimensional concept and there are many examples, some centuries old, where this has been represented–though to a lesser degree of accuracy.  In fact, there are three main ways the symbol is represented, Plane or flat, Pyramidal (called Meru), and Spherical (called Kurma).

An excellent source of how the Sri Yantra moves into three dimensions and additional discussion around the cymatics idea can be found in the article “a zesty, life-affirming approach to meditation,” by Lorin Roche, Ph.D.  It talks the reader through visualizing the yantra through progressive levels of dimension, motion, and complexity.

Click HERE to see some excellent photos of objects with circular or three dimensional representations of the Sri Yantra. There are even many building which are obviously influenced by the symbol including these complied by the Sri Yantra Research Center.

-am. July 2012

Sri Yantra Explored

© Aspen Moon 2012

The Sri Yantra (aka Shree Yantra, Shri Yantra, Sri Chakra) is an ancient Hindu Vedic symbol, often regarded as sacred. Translated, it means “holy tool,” or “holy instrument,” and it can also mean “instrument of wealth.”  The four upward triangles symbolize Shiva, the divine masculine, and projective forces, and the five downward triangles represent Shakti, the divine feminine, and receptive forces.  Together they form a picture of balanced creative union.  The Bindu point, the point or object of creation, is in the exact geometric middle of the center triangle as well as the entire complex form.  It is also considered the “the junction point between the physical universe and its unmanifest source” (Source: Wikipedia).  It is a object that has undergone millenniums of meditation, teaching, and manifestation.  And to me, it seems to be the first step in creating a portal for consciousness to move between this Newtonian world and what lies beyond our five senses.

Concept of the Yantra (Excerpt from the book YANTRA, by Madhu Khanna)

The Sanskrit word yantra derives from the root ‘yam’ meaning to sustain, hold, or support the energy inherent in a particular element, object or concept. In its first meaning, yantra may refer to any kind of mechanical device which is harnessed to aid an enterprise. A yantra in this sense, therefore, is any sort of machine or instrument such as is used in architecture, astronomy,  alchemy, chemistry, business, warfare, or recreation.

However, the meaning of the term yantra has been expanded to refer to religious enterprises, and has acquired a special theological significance. Mystic yantras are aids to and the chief instruments of meditative discipline. Basically, a yantra used in this context and for this purpose is an abstract geometrical design intended as a ‘tool’ for meditation and increased awareness. Yantras function as revelatory symbols of cosmic truths and as instructional charts of the spiritual aspect of human experience and use symbols corresponding to inner states of human consciousness to open new doors of understanding and relevance.

Yantras can be used as highly efficient tools for contemplation, concentration, and meditation. A yantra provides a focal point that is a window into the absolute. When the mind is concentrated on a yantra, the mental chatter slows down, and eventually stops. In advanced yantra meditation, it is possible to attain union with the power of the Universe by the geometric visualization of a yantra” (Source: Aditya Rudraksha Kendra).

Number Nine, Number Nine, Number Nine, Number Nine, Number Nine…

I don’t think it’s by any accident that the Sri Yantra is comprised of nine triangles.

Numerologically speaking, nine triangles represents the cumulative number of creation (i.e. final creation).  Nine has some unique mathematical properties which lend to this notion.  “When you multiply any number by 9, then add the resulting digits and reduce them to a single digit, it always becomes a 9. For example, 6 x 9 = 54, reduce 54 to a single digit by adding them together: 5 + 4 = 9. Or 23 x 9 = 207, 2 + 0 + 7 = 9, and so forth. There is nothing coincidental about this peculiarity. Try it. Any number, no matter how large, multiplied by 9 reduces to 9. There is a similar way to do this with addition, rather than multiplication.  From a numerological perspective, the 9 simply takes over. Any number that was initially increased by a factor of 9 loses its own identity and instead takes on the characteristics of the 9. No other number has that quality” (Source: numerology.com).

The number nine has several other interesting meanings, which come from various cultures and epochs, and lend to our deeper understanding of the Sri Yantra (Source: Riding the Beast.com (seriously!)):

  • Number of the harmony, it represents the inspiration and the perfection of the ideas.
  • Symbol of the creation and the life as a rhythm and development.
  • As a product of 3 x 3, it is the expression of the perfection.
  • Nine is the number of the one who accomplishes the divine will. According to the Cabal, it is also the number of the achievement.
  • The Freemasons have made it the eternal number of human immortality.
  • Being the last simple number, it is the number of finalization or finition; it is therefore the most complex, that marks the full lighting up of the numerical series.
  • This number was considered as sacred in Egypt and in Greece.
  • Number of the man, as a numeral symbol of human gestation (nine months).
  • Number symbolizing the nocturnal and terrestrial things, for the Aztecs.
  • Number of the hierarchy, represented by nine choruses of the Angels.
  • Represent the three divine manifestations in the three plans: world of the spirit, world of the soul, world of the matter, which gives a triple manifestations of Trinity (3 x 3).

Moreover, the nine triangles–five feminine, four masculine–intersect to create 43 triangles that represent nine layers of creation and form to create a web symbolic of the entire cosmos or a womb symbolic of all creation.  Ultimately, this 6,000 year old, “mother of all yantras” represents the cosmos and the supreme creative forces of the universe.

The Sonic Om

What I find interesting, and a large part of why I have started to develop a deeper interest and understanding in the Sri Yantra is that the symbol elegantly mimics the natural physical behavior of sound.  I believe that it specifically represents the Om, which is first described as the all-encompassing mystical entity in the Upanishads and the sonic frequency of the universe.

Modern science is beginning to recognize and confirm something mystics, religious researchers, and mythologies throughout human recorded history (and likely before) have always known: that sound (i.e. sonic frequency and amplitude) has creative and organizational influence over matter.  The recently established field of study called Cymatics is the cutting edge scientific study of this phenomenon [Youtube Cymatic demonstration; Cymatics.org, Ted Talks on Cymatics].

When science, religion, and nature all weave together into a new concept for me, that’s when my art brain really starts churning…  I love to encounter links or synergies between seemingly unrelated things.  But moving this from physical concept to a spiritual one was easier that I thought, and the road has already been paved.  Terrence McKenna spoke openly for years about the power of language, and once expressed its ability this way, “the real secret of magic is that the world is made of words, and that if you know the words that the world is made of you can make of it whatever you wish” (Source: Terence McKenna, 27 February 1993).  But while many cannot appreciate the consciously-shifted perceptive Mr. McKenna openly comes from, his hypothesis is quite aligned with many faith systems, even Christianity.

“In the beginning was the Word, and the Word was with God, and the Word was God” (Bible: John 1:1).  An interesting side comment on this passage by a language scholar I found online says, “the Word at the beginning of John 1 is linked by this passage to the first words spoken by God at the beginning, when he says “‘Let there be light’ and there was light.” (Genesis 1:3). Here the sending of light is a metonymy for creation; this metaphor associates God’s word/light with purity, truth, and power as speed: there is no interval between the word and its realization” (Source: William Warner, UCSB).

-am. July 2012